20 years in the business has taught me a lot.
Starting as a Studio runner in ‘97, to making the jump to full time freelancer in 2010, I’m lucky enough to have experienced all facets of the audio industry. From broadcast to back stage and all points inbetween.
So what constitutes good sound? Whether it be corporate, comedy or concert sound it’s all about relationships. Good relationships come from good communication between client and engineer.
So what can I offer you?
Professional sound engineering skills for front of house, monitors, studio and broadcast environments.
International experience from working in Canada, UK, Europe and Australasia for a variety of diverse clients.
I’m happy to work with new bands as well as established artists as is evident from my previous client history. Touring or recording, pre-production or consultation I’m here to provide knowledge and guidance to help you get the most out of your productions.
I can also help you negotiate the best deal for your event through my network of production companies and experience on some of the biggest (and smallest) stages and festivals the world over. Pairing the right tool for the job and knowledge of diverse sound engineering techniques means you get the best possible sonic outcomes every time.
Here’s a sample of some of the artists that I have had the pleasure of working with:
Run The Jewels
Band of Horses
Anvil and The Fall
And a selection of corporate clients that I have worked with:
Howards and Sons
- Dominion Post (NZ)
- Events Manager (Voodoo Rooms) 2017
- Playfair Library (End Client) 2016
- Ian (Promoter) 2017
Get in touch to start the conversation about how I can assist you to get the best possible sound for your production today.